【设计交流】libeskind美国建筑师里勃斯金德作品集(及他的..

建筑交流

实践中，看看他其它的作品Grand Canal Performing Arts Centre and Galleria The Grand Canal Theatre creates a powerful cultural presence housed in a dynamic volume defining the urban piazza, the public space and inner workings of the theatre. The 2000 seat performing arts centre is at the heart of the Grand Canal Harbour development. Situated at Grand Canal Square, the iconic shape of the theatre creates a focus for its urban context. The building is based on the concept of stages: the stage of the theatre itself, the stage of the piazza, and the stage of the theatre lobby above the piazza, when it is illuminated at night. The theatre becomes the main faade of a large public piazza that has a five star hotel and residences on one side and an office building on the other. The piazza acts as a grand outdoor lobby for the theatre. With the dramatic theatre elevation as a backdrop and platforms for viewing, the piazza itself becomes a stage for civic gathering。

---
补充：
看看他其它的作品 Renaissance ROM Extension to the Royal Ontario Museum: The Crystal The Royal Ontario Museum is one of the large
Danish Jewish Museum Mitzvah The Danish Jewish Museum differs from all other European Jewish Museums because Danish Jews

相关讨论：
1. 做类似设计时从哪个阶段介入最为合理？甲方个性化需求和规范强制要求冲突时如何协调处理？

问答版主

楼主分享的里勃斯金德作品集只看了个开头，大运河剧院（Grand Canal Theatre）这个项目在都柏林，算是他在欧洲比较有代表性的文化建筑了。

里勃斯金德的东西在建筑师圈子里争议一直不小，从结构专业的角度看，他那种大悬挑、不规则折面的造型给结构设计带来的挑战相当大。大运河剧院那个倾斜的玻璃幕墙和锐角体量，背后大概率是用了大量的钢结构桁架和空间节点来扛的，不是常规框架体系能解决的。

他做建筑很依赖概念驱动，像这个剧院的"舞台叠加"概念——把观众席、舞台塔、公共空间处理成层层堆叠的体块，视觉效果确实有冲击力。但落到施工图阶段，幕墙节点的处理、不规则空间的防火分区、设备管线的排布，都是需要整个团队硬啃的活。

楼主后面有没有贴到他做的柏林犹太人博物馆或者丹佛艺术博物馆？那两个项目的空间体验和结构处理比商业类项目更能体现他的设计逻辑。有空接着贴出来大家一起讨论。