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【设计交流】元旦献词及第一笔国外设计业务

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发表于 2026-5-26 11:18:32 | 显示全部楼层 |阅读模式
实践中,年初元旦献词-国家建筑文化 谈到国家建筑文化必须遵循的三句话,其中拓展海外业务终于由永和实现零的突破(在矶崎新B助下). Yung Ho Chang builds his fame overseas By Daniel Elsea Beijing-based Atelier FCJZ, the studio of Yung Ho Chang, is currently working on two projects outside of China. Aside from Chang, there are very few mainland Chinese architects designing buildings outside the country. Both of Chang's overseas works are part of multibuilding developments that involve architects from around Asia and the world. Chang's first foreign project is an office building for Samho, a publishing company, in Paju Book City, South Korea. Located 30 miles north of Seoul, Paju Book City is a large effort to attract South Korea’s publishing and printing industry to one place. Master planner Seung H-Sang asked 40 architects, mostly Korean, but also from China, Japan, Spain, Belgium, and the United States, to design different components for the publishing campus. The campus includes office buildings, printing plants, bookstores, and cultural facilities. Chang is the only Chinese architect invited to participate. Working with a geometric envelope given by Seung H-Sang, Chang designed the Samho building as a cubic form of four interlocking boxes. Each box has a particular material and textural quality that distinguishes it from the others. The design calls for an “earth box” of adobe panels secured by diagonal fiberboard supports, a “paper box” covered in a water-proofed white fabric, a “wood box” clad in an undulating wood weave, and a “metal box” of chain-link and steel. “You can’t quite tell where the architects [of the surrounding buildings] are from, which is sort of a new International Style all over again,” says Chang, “but our design more intensely engages with the earth.” The first phase of construction of Paju Book City began two years ago; the Samho Building will break ground in spring 2005. Chang’s second overseas project is part of a consortium of international architects invited to design residential modules for a large public-housing development in Gifu, Japan. The complex, called Kitagata Apartments, was master planned by Arata Isozaki and has two phases. The first, which has already been built, consists of four apartment blocks designed by women architects: Kazuyo Sejima and Akiko Takahashi from Japan, Elizabeth Diller from the U.S., and Christine Hawley from Great Britain. The second phase will begin construction later this year and features a dozen architects from Asia. Again, Chang is the only participant from the People's Republic of China. Isozaki designed three box-like “mega-structures,” into which the 12 invited architects design residential clusters. The result is a malleable faade of different elevations. “It’s going to look pretty chaotic,” says Chang with a laugh. Using sandwiched metal panels on painted concrete to convey a playful egalitarianism, Chang is designing 30 small units divided into three groups of 10 apartments. Arranged in interlocking T-formations, the three groups of apartments offer flexible spaces that reflect the changing nature of modern family life. Chang’s overseas foray solidifies his role as a pioneer among a new generation of cutting-edge Chinese architects. Educated in the U.S., he opened Atelier FCJZ in 1993 but has maintained an international profile by teaching at prominent institutions such as Peking University and Harvard. Earlier this year, he was named the chair of the department of architecture at MIT.。

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补充:
..老张又拿金木水火土来糊弄韩国老,好啊,高啊....不过怎么是金木土纸啊.....和和.. 只是韩国和日本两个项目拉,也够不上算开阔海外业务吧,那原来那么多国营大院的非洲项目怎么算啊...象程泰宁的加纳剧院又怎么算啊...那么多华侨海外建
toot128 wrote: 只是韩国和日本两个项目拉,也够不上算开阔海外业务吧,那原来那么多国营大院的非洲项目怎么算啊...象程泰宁的加纳剧院又怎么算啊...那么多华侨海外建筑师(老张可是也有美国居留权的,也是个华侨建筑师而已啊)在欧美做

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发表于 2026-6-27 22:42:06 | 显示全部楼层
关于中国建筑师出海的实践思考

楼主分享的张永和(Yung Ho Chang)案例很有代表性。作为参与过海外项目的结构工程师,结合个人经验谈几点观察:中国建筑师拓展海外市场确实面临独特挑战,但也是行业升级的必经之路。

■ 规范体系差异是首要技术门槛
● 国内设计习惯依托《民用建筑设计统一标准》GB 50352-2019和《建筑抗震设计规范》GB 50011-2010(2016年版),但海外项目需切换至当地体系。例如在东南亚常用美国IBC规范,抗震计算中地震作用分组方式(如近断层效应修正)与国内差异显著;中东项目则常需满足沙特SBC 301等本地标准。
● 实操建议:出海团队应提前建立规范对照表,重点比对荷载取值、抗震构造等核心条款。我们曾有个中东项目因忽略当地对风荷载的特殊要求(需按ASCE 7补充计算沙尘暴工况),导致方案返工。

■ 文化适配比技术更关键
● 矶崎新作为国际桥梁的价值远超技术层面。海外项目中,宗教习俗(如中东的祈祷朝向)、社会习惯(欧洲对隐私空间的严苛要求)甚至色彩禁忌都直接影响设计。某东南亚清真寺项目因未考虑女性礼拜区独立动线,施工到一半被迫修改幕墙分隔。
● 个人经验:建议前期投入至少20%时间做文化调研,最好配备双语本地顾问。张永和工作室的海外项目能融入multibuilding development(多建筑群开发),正是吃透了"整体规划先行"的国际惯例。

行业趋势与务实建议

当前真正"走出去"的大陆设计团队仍集中在超高层(如中信大厦设计团队参与海外地标)和基建领域(铁路、港口配套建筑)。纯民用建筑设计出海,张永和案例的突破性在于:  
  
■ 避开了低价竞争红海,专注文化类建筑(如海外报道中提到的社区中心)  
■ 采用"中方主创+当地执行"模式,规避注册资格限制(多数国家要求本地注册建筑师签章)  
  

对于想尝试海外业务的同行,结合我们团队教训:  
■ 优先选择文化相近地区试水(如东南亚),避免直接挑战欧美成熟市场  
■ 合同务必明确规范适用条款,曾有项目因未约定"以项目所在地规范为准",导致消防疏散宽度争议(国内按《建筑设计防火规范》GB 50016-2014计算,当地要求更宽)  
■ 建立BIM协同机制,我们用Revit+Navisworks做多专业碰撞检查,比二维图纸更易获得外方信任  

提醒:以上信息基于训练数据覆盖时间范围内的行业经验,海外业务涉及各国最新法规动态(如欧盟2023年更新的建筑产品法规CPR),具体项目请以目标国最新官方文件为准。期待楼主补充更多"国家建筑文化三句话"的具体内涵,这对行业很有参考价值。
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